September 06, 2015

Lichter Raum - light room

Same exhibition (see preceding post), next room, and again: a sculpture and a title referring to "light".
This time made from poplar wood by Joseph Stephan Wurmer in 2013.
The sun was behind the clouds in this shot which helped reduce my own shadow on the sculpture. The shadows cast by the window behind me still helped frame the object. And an interesting leg of a visitor walking away from the sculpture in the dark is a nice bonus, I think: gives you an impression of the size (65x115x115 cm).


Sin Luz - without light the title of the sculpture I shot at the exhibition of the NN-Kunstpreis. It is constructed from thousands of plastic dishes hold together by paper-clips by Frank Dimitri Etienne. With 2.8m in diameter it's pretty large.
Interestingly (and luckily) the sun was shining right onto the sculpture and what I captured in my shot is one of the first impressions I got when I entered the room: fascinating, like an alien deep sea fish. Funnily the sculpture would have been pretty dull without light, so its title "Sin Luz" is a bit of a misnomer.


As always in my Blog you can click on the images to view a large version. Enjoy!

May 15, 2015

Not so chaotic

Went to one of my favorite locations the other day and discovered the following nice pattern: Pattern_77533 And although it was created by random effects the end-result was not as chaotic as one might have expected. Well: arrange one-dimensional objects in a two-dimensional space with almost no gap and some kind of order will be imposed ;-) Click through to the image in more enjoyable sizes.

January 04, 2015

Visit Gerhard Richter

Just came back from the exhibition "Ausschnitt" (probably best translated in this context with "Extract") in the Neue Museum in Nuremberg. It shows a good selection of Gerhard Richter's work starting with a series of 31 monotypes (prints) from 1957 (see below) and 27 other images both figurative and abstract up until 2003. (As usual you can click through the images below to get to the large originals on flickr; just use "view all sizes" there).


An interesting aspect of his work is that he often used photographies (his own or from magazines) as original from which he painted. These images show a characteristic haziness like a blurred photo, which makes it quite obvious that the images were painted after a photo and not after a real life scene.

Sometimes Gerhard Richter covered those photographic images with an abstract layer of paint with only parts of the "original" image shining through. All-in-all a very interesting discourse about photography and painting making you think about the relationship of both art-forms.

Here's another picture from the exhibition showing other works:


The exhibition is open until February 22nd. Highly recommended!

January 01, 2015

Abstract Pattern

I didn't notice them but my wife had a keen eye for these patterns. We shot a whole series of these and the following is my favorite: it shows some repeating structures without being geometrically perfect and I like the fade-out of focus to the right which makes it look like a receding wall - which it isn't.
Developed in black and white (but there was not much color to begin with) it remembered me a bit of some paintings by Gerhard Richter we just visited before in the Neue Museum in Nuremberg.


December 14, 2014

Inverted Inversion

I finally did my first test of an idea, that I was entertaining for some time now: What would the world look upside-down?
So I took a shot with nice turbulent clouds, flipped it upside-down and then inverted the curve to make the bright sky (now at the bottom) look like a dark sea and convert the land into a bright (in this case featureless) sky.
So it's a sort of double inversion - hence the title.
Naturally I had to work with some white-balance tweaks and other manipulations to get the colors up where I wanted them, and that's it.
Unfortunately the power-line gives away the game, but I left it in for two reasons: I was to lazy to clone it out and I wanted at least one clue to remain in the image so that you can find-out for yourself what the original image was.

Enjoy - and expect me to follow up on this idea!


October 11, 2014

Abstract Selfy

Was experimenting with long-time exposure again - this time in front of a mirror. And naturally moving the camera. On one side it was easier than doing those shots outdoor in bright sunlight as it was no problem to get exposures of 4 to 20 seconds by simply stopping down to f16. But the effect was harder to predict as there was much more time to move the camera and blur the image. And I was not even keeping the camera to my eye during the shot so I had not much control of what it was pointing at and what the camera was seeing.
Some shots came out pretty ghostly with me being half transparent.  Pretty interesting indeed if the background on those ones were not so cluttered. So I picked this one which benefited from using a 135mm lens to isolate myself from the background.

Abstract Selfy 72376